Our main goal was to emphasize and enhance the player's enjoyment of destroying various enemies and to positively reinforce the hero's upgrades, development of skills, weapons, and gear. In order for a small mobile project to sound like a AAA level project, we strived to voice every scene and enemy in as much detail as possible, while taking into account limited budgets for memory and processor load. To make the scene sound as rich and detailed as possible, yet balanced with the emphasis on all important informative aspects for the player at any given moment, we chose the external audio engine Wwise with its ability to set up a dynamic mix based on audio bus prioritization.

Our task was to emphasize the individuality of each hero. To achieve this, a special focus was placed on the sound of their weapons so that it was unique and clearly identifiable within the mix. Additionally, with the help of professional actors, we recorded short emotional phrases for each hero. Instead of localizing voiceovers, these phrases represent short, universal emotions—such as smirks, chuckles, or exclamations when a character takes damage or dies.

Initially, the developers were given a limited budget for permanent and operational memory, so the musical tracks had to be short while avoiding any sense of repetition or predictability. To address this, almost all musical tracks were composed in unconventional time signatures. Unique musical compositions were written for each type of biome for both the menu and gameplay, as well as individual themes for taverns, shops, and boss battles.